会议地点：成都大学学术交流中心
会议时间：2016年11月19-20日
组织机构：
指导单位
中国动画学会
中国电影家协会动画电影工作委员会
国际动画协会中国分会（asifa-china）
亚太动画协会（中国区）
中国动漫集团
主办单位
成都大学
《当代电影》杂志社
承办单位
四川动漫研究中心
成都大学美术与影视学院
成都大学动画学院
学术主持：郭春宁
论坛嘉宾：max hattler
题目：experiential abstractions
using examples from his decade-long animation practice, german artist and academic max hattler discusses how audio-visual abstraction can create extra-ordinary experiences for the viewer. this is also an opportunity to get an insight into hattler's stereoscopic work iii=iii, which recently toured museums in china as part of the 2016 hong kong - macau visual art biennale.
max hattler先生个人简介：
max hattler是抽象动画、视频装置及视听行为表演领域的艺术家和学者。他在英国皇家艺术学院获得动画硕士，在东伦敦大学获得艺术博士。他的作品在全世界的各大艺术节、美术馆和动画节进行展映，比如台北当代艺术馆、 西班牙基金会美术馆 和英国的泰德美术馆 ;他的作品获得多个大奖，包括法国戛纳奖、布拉福德动画节大奖、和多项视觉音乐奖。他也在全球进行多场现场表演，包括米兰世博会、首尔美术馆、欧洲媒体艺术节。max现居香港，是香港城市大学的助理教授。
max hattler is an artist and academic who works with abstract animation, video installation and audiovisual performance. he holds an ma in animation from the royal college of art and a doctorate in fine art from the university of east london. his work has been shown at film festivals around the world, and at museums and galleries such as moca taipei, espacio fundacion telefonica lima and tate britain. awards include cannes lions, bradford animation festival and several visual music awards. he has performed live around the world, including expo milan, seoul museum of art and the european media art festival. max lives in hong kong where he is an assistant professor at school of creative media ,city university of hong kong.
学术主持：郭春宁
论坛嘉宾：delia hess
题目：circular storytelling
the circle is a symbol of perfection and - as there is no beginning and no end - of infinity and eternity. circular stories end where they began and permit thereby a surprising twist in the end. often, the audience is left behind with the relieved feeling that everything found its perfect order or with a certain astonishment or discomfort about the course of things that is therefore unchangeable. either way, there adheres something mysterious, inescapable or a feeling of being guided by a higher power to a circular story.
in the context of my current shortfilm project "circuit", i concerned myself with circular storytelling. the basic idea of the film was, to connect several small circular stories to a bigger circle of action, that is repeating itself eternally. this concept sounds simple, but during the work on the script, storyboard and animatic, we realized, that a circular storytelling has not only advantages but that its nonlinear structure also causes many dramaturgical problems and difficulties of comprehension. in my presentation, i will talk about some of the methods we used, to solve these problems.
furthermore, i will give a short overview about other circle based animated films (such as works by zbigniew rybczynski, michaela pavlátová, anu-laura tuttelberg and réka bucsi) and how these filmmakers applied and handled the circular structures.
delia hess女士个人简介：
瑞士动画艺术家，毕业于瑞士卢塞恩大学艺术与设计专业。她的毕业作品《早班车》（frühzug, 2011）入选了加拿大渥太华动画节、法国昂纳西动画节、瑞士fantoch 动画节、萨格勒布动画节、广岛动画节、巴西 anima mundi 等全世界超过 70 个动画节和电影节。该作品不仅并通过影片放映获得了专家和公众的好评，还多次获奖并获选为 vimeo 编辑推荐视频。作为杰出的独立艺术家在动画、插画和电影领域工作。她还参与了著名导演和制片人 claudius gentinetta 与 frank braun 指导的动画短片《岛屿的休憩》（islander’s rest，2015）。2014 年 delia 受邀参加世界顶级动画驻留项目法国 labbaye de fontevreaud 艺术驻留。并得以撰写动画短片《circuit》的脚本和创作故事板。该作品将于 2017 年完成。
令 delia 最快乐的事情是通过她的影片她借以和世界各国的人们交流。此次受邀来到中国人民大学艺术学院影像与新媒体国际影响力高级研修班授课和讲座，delia 将分享瑞士艺术高校的优势教学经验，国际电影节和动画节的参与经历；她还将特别介绍国际艺术驻留的申请经验和成果，通过作品的创作过程分享动画创作与城市生态的研究体会。
